Artist statement

I work alone, making crowds

Humanity is at the heart of my creative process. It brutally permeates my formal research into a work defined by an aesthetic crudeness, and made up of impulsive gestures that capture the fleetingness of both instant and movement.

I have rarely discussed my work, preferring the act of actually making it over theory. As for my means of expression, I strive for maximal clarity, force, and plastic aggressiveness, in order to trigger physical reactions that act as gateways to the soul. Bearing my soul is what truly matters.

I always work on several projects at once. Each material, each tool, dictates a technique, a way of giving life to an object. Ceramics is an important part of my practice, my keen interest in its artisanal aspect echoing my previous work in etching. Both these media satisfy my taste for multiplicity.